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Channel: Films by female artists – Dr. Grob's Animation Review
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Snowflake

In 'Snowflake' a little boy in Africa gets a paper-cut snowflake by mail. That night he dreams his surroundings are covered with snow, making all animals shiver.

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Fiumana (Flood)

'Fiumana' shows that Georges Schwizgebel's particular way of animating has made school. Julia Gromskaya adapts Schwizgebel's painting techniques and constantly shifting perspective to tell a tale of a...

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Le chapeau (The Hat)

'Le chapeau' is a nonlinear, stream-of-consciousness-like film of flowing pen drawings morphing into each other on a white empty canvas, using the hat as a recurring motive.

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Wild Life

In this short Amanda Forbis and Wendy Tilby tell about a young Englishman migrating to Alberta, Canada in 1909, where he ends in a small hut on the countryside. The young man's letters to his father...

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Bankiet (Banquet)

In 'Banquet' a bunch of waiters and chefs are preparing a huge banquet for a large number of guests. But when the guests arrive, the banquet turns out to be very different than expected.

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The Owl Who Married a Goose: An Eskimo Legend

'The Owl Who Married a Goose: An Eskimo Legend' was the first film acclaimed animator Caroline Leaf made for the National Film Board of Canada.

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Sita Sings the Blues

Unlike the European and Japanese animation field, the American animation studio system is unkind to author films. Walt Disney’s ‘Lilo & Stitch’ (Chris Sanders, 2002) probably comes closest, apart...

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Hermína Týrlová

This a gentle documentary film made in honour of the Czech animation pioneer's sixtieth birthday.

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Dvě klubíčka (Two Balls of Wool)

In 'Two Balls of Wool' the insides of a sewing box come to life, including a scissors, a measuring tape, thread spools, a horse-like pincushion, and, most importantly, two balls of wool.

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Seder-Masochism

Seder-Masochism is the second feature animation film by independent animation artist Nina Paley (born 1968), who created quite a stir with the lovely ‘Sita Sings the Blues’ (2008) in which she blended...

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